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Paul Cauthen with The Kernal at Motorco
February 20 @ 8:00 pm - 11:00 pm
PAUL CAUTHEN with The Kernal at Motorco Music Hall
Making Room 41 nearly killed Paul Cauthen. Ironically enough, it’s also the very thing that saved him.“Finishing this record was one of the craziest experiences I’ve ever been a part of,” reflects Cauthen, the larger-than-life Texas troubadour nicknamed Big Velvet for his impossibly smooth, baritone voice. “I’m honestly glad it’s done because I don’t think I’d survive if I had to do it all over again. No way.
”Written during a roughly two-year stint spent living out of a suitcase in Dallas’ Belmont Hotel, Room 41 chronicles Cauthen’s white-knuckle journey to the brink and back, a harrowing experience that landed him in and out of the hospital as he careened between ecstasy and misery more times than he could count. Cauthen has long been a pusher of boundaries (musical and otherwise), and Room 41 is no exception, with electrifying performances that blend old-school country and gritty soul with 70’s funk and stirring gospel. His lyrics take on biblical proportions as they tackle lust and envy, pride and despair, destruction and redemption, but these songs are no parables.
Cauthen lived every single line of this record, and he’s survived to tell the tale.“I’ve always been the kind of artist that can’t write something unless I feel it and I mean it.” says Cauthen, “This record is as real as it gets for me. I am these songs.”
The Kernal, a Southern gentleman with an old soul who is tied deeply to the legacy and showmanship of the wandering musician and the historic Grand Ole Opry. Along with his band, the New Strangers, the Kernal tours the country with his home-grown brand of Southern mystique. LIGHT COUNTRY introduces us to a funny, whip-smart songwriter and musical stylist on these original tracks. The album opens with the sweeping gospel number, “Where We’re Standing,” which builds to a swirling electric guitar outro. He describes “Knock Kneed Ballerina” as a “shoulder-dance country song and a sort of personal, band- mission statement;” it’s also a knowing nod to the classic sound of ‘70s Nashville Countrypolitan hits and a poignant ode to musical also-rans everywhere. “At the Old Taco Bell” was inspired by a photo of a boarded up, derelict Taco Bell. “It’s about me moving into an abandoned, and therefore affordable, Taco Bell at some point in the future,” he deadpans. Elsewhere he tackles modern domesticity (the Harry Nilsson-esque “Cold Shoulder”), and ends on an apology of sorts for his choice of lifestyle, “I earned my degree but I would rather rake some leaves … Barely eatin’ and meetin’ my rent.”