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Lilly Hiatt / The Harmaleighs – CANCELED
August 7 @ 8:00 pm - 11:00 pm
Lilly Hiatt / The Harmaleighs
Lilly Hiatt returned with Trinity Lane on August 25th, 2017. The 12-song set was produced by Michael Trent of Shovels & Rope and engineered by Andy Dixon at Trent’s Studio Bees in Johns Island, SC. It is the follow up to her acclaimed sophomore album Royal Blue, which Paste Magazine described as “a glorious tumble of influences – surf rock, Smiths vibes, Laurel Canyon twang and jangle, Sonic Youth flatline, Britpop flourishes, Seattle grunge and Joy Division meets Human League synthery.” In addition to her backing band, Trent is featured as a musician throughout, and is joined by his wife and Shovels & Rope partner Cary Ann Hearst for backing vocals on “Everything I Had.” Lilly’s love of the ‘90s alt-rock she was raised on continues to shine through on Trinity Lane in the distressed guitars and urgent backbeats. She cites the Pixies, Breeders, Dinosaur Jr., and her favorite, Pearl Jam as influences, but there is also something distinctly Americana lurking in the songs. Rolling Stone Country premiered the Michael Carter-directed video for the album’s title track HERE, stating, “The daughter of John Hiatt, she keeps the family tradition alive, mixing Southern influences – Americana, folk and left-of-center country – with a raw approach that’s better suited to the garage than the saloon. The album’s title track is no exception…the song finds Hiatt making peace with her old demons, while guitars crash and pianos chime in the background.” They continued, “‘Trinity Lane’ is an empowerment anthem stocked with details from Hiatt’s everyday life, from the name of her street to the smell of her neighbor’s cooking.”
After moving out of an ex’s house, Hiatt settled into a new apartment off of Trinity Lane in her East Nashville neighborhood and went on tour with friend John Moreland to the West Coast and back. The intensely personal, autobiographical album was written largely upon her return, in isolation, facing the issues she escaped while on the road. Every time she wanted a man, she picked up her guitar. Every time she wanted a drink, she picked up her guitar. Hiatt says, “Love will take you to the darkest places but also the most honest places if you let it. Learning how to love myself is something I’ve always been lousy with, and I spent some time on that. I thought about my sobriety, what that means to me, the struggles I’d had throughout the years, since I was a 27-year-old and hung up my toxic drinking habit. I thought about my mother, who took her own life when I was a baby, not far from my age at 30 years old, and I related to her more than ever. As you can see, there was plenty of time spent on my own. I didn’t talk to that many folks, albeit a few close friends, and leaned into my family. I stayed away from men, and danced alone in the evenings, looking out my window observing my humble and lively neighborhood. I found power in being by myself. I found peace in the people I was surrounded with – we didn’t really know one another, but we smiled when passed on the street. One time I almost rear-ended an older woman in her car backing out of my driveway and I said, ‘Oh man, I’m just not used to any cars coming around this bend. She replied, ‘This is our little hideout, baby,’ And it really was.” She continues, “After a while, I had all these songs to play, and wanted to share them. I wanted to get out of town to get some distance from everything, so after an ongoing conversation with Michael Trent, I took my band to Johns Island, SC and we holed up for a few weeks. I poured my heart out, and trusted them with it, and these guys gave it right back. I think we all understood what it’s like to question home, intention, demons, love…I think most people understand that.”
The Harmaleighs honestly craft poetic, passionate, and powerful songs cut from a pastiche of indie, folk, pop and Americana. In January 2015, The Harmaleighs—Haley Grant and Kaylee Jasperson —embarked on something of a modern odyssey in support of their independent full-length debut, Pretty Picture, Dirty Brush. The band-mates and partners got rid of their Nashville apartment, put everything they owned in a storage unit, bought a van, equipped it with a bed, and hit the road with their 8-month-old pug Gus sleeping on the dash for the next nine months. The trials, tribulations, and triumphs of this trek would ultimately inspire their EP, Hiraeth.
“Hiraeth is a Welsh word that we stumbled upon while we were on tour,” says Kaylee. “It basically means, ‘Longing for a home.’ It’s a feeling of rootlessness and homesickness that we started to collectively feel around month six. By the end, we had burned out.”
“Even when we visited Nashville, we would be staying in a Walmart parking lot,” sighs Haley. “That’s where the whole concept came from. It’s the basis for this body of work.”
The lead track from the EP is the ethereal “Birds Of A Feather”, which is out now via all digital outlets. “I wrote the song about a friend who was going through a tough time with a relationship ending,” says Haley. “She was explaining to me what exactly was happening and said ‘I’m just convenient for her.’ That specific sentence stuck in my head for a couple weeks and sparked the idea for the entire song.”
The Harmaleighs’ debut LP Pretty Picture, Dirty Brush received accolades from American Songwriter, Songwriter UK and more and Spotify featured “I Keep Ticking On” on its coveted Folk Pop playlist, amassing millions of streams and counting. The duo spent the bulk of 2016 “working regular jobs and saving up money” for their next musical chapter. They hit the studio with producer Paul Moak and recorded the six songs on Hiraeth in just one week. As a result of the previous two years, their signature “Indie Americana” sound further solidified.
“Our last record was very folk-pop,” says Kaylee. “At that point, we were going through transitions and really trying to figure out what we wanted to be. When we finished that marathon tour and regrouped, we got the chance to decide who we are as a band. We wanted to utilize more electric instruments and go more indie pop with storytelling at the core. All of Paul’s productions are different. That was the allure of working with him. He helped us step up and define our style. This is really the first time we’re being true to ourselves.”
On “Lady Brain”, delicate electric guitars entwine with Haley’s hypnotic and heavenly delivery before crashing into an unforgettable refrain. “I was watching Orange is The New Black, and in one scene the main character Piper says, ‘Well, I’m going to use my lady brain and think really hard,’” Haley recalls. “I thought it was so fucking funny. I kept it in the back of my head. It’s a bit of a sarcastic song.”
Then, there’s “Mouthful of Cigarettes” which twists and turns through a bluesy lead line until eventually culminating on a powerful proclamation, “I am a fire without any wood.”
“I was sitting at a bar in Portland on month six of our tour,” Haley continues. “There was an ashtray full of cigarettes, and I was having this moral dilemma in my head. I thought, ‘What if I put all of that in my mouth and swallow the burning cigarettes because there are flames and maybe I won’t be burning out anymore?’ I thought it might spark the flame again.”
The flame has been sparked with Hiraeth and their journey really begins now…