Divinity and art in the Western world have worked together to create a set of toxic ideals, one in which Whiteness is the sole standard of beauty and the genesis of Christianity. Anything ‘other’ is unworthy of God’s love and feeling beautiful. In this photographic series artist Kennedi Carter attempts to rewrite this narrative by injecting Blackness into these historically White spaces, to create a story that represents Blackness as beautiful and queerness as holy.